T
he projects consists of a vast suite of clas sic mid format celluloid film portraits of tribes. ear the Sudanese border, a grim and unforgiving, unac cessible roadless area which Claes Britton has also visited, on a river expedition back in 1988 projects consists of a vast suite of classic mid format celluloid film portraits of tribesear the Sudanese border, a grim and unforgiving, unaccessible roadless area which Claes Brittowhich Claes Britton has also visited, on a river expedition back which Claes Britton has also visited, on a river expedition back n has also visited, on a river expedition back.

The projects consists of a vast suite of clas sic mid format celluloid film portraits of tribes. ear the Sudanese border, a grim and unforgiving, unac cessible roadless area which Claes Britton has also visited, on a river expedition back in 1988 projects consists of a vast suite of classic mid format celluloid film portraits of tribesear the Sudanese border, a grim and unforgiving, unaccessible roadless area which Claes Brittowhich Claes Britton has also visited, on a river expedition back which Claes Britton has also visited, on a river expedition back n has also visited, on a river expedition back.

The projects consists of a vast suite of clas sic mid format celluloid film portraits of tribes. ear the Sudanese border, a grim and unforgiving, unac cessible roadless area which Claes Britton has also visited, on a river expedition back in 1988 projects consists of a vast suite of classic mid format celluloid film portraits of tribesear the Sudanese border, a grim and unforgiving, unaccessible roadless area which Claes Brittowhich Claes Britton has also visited, on a river expedition back which Claes Britton has also visited, on a river expedition back n has also visited, on a river expedition back.